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Jack Haulli: ᑖᓐᓇ ᐃᒡᒐᒃ. ᐃᒡᒐᐅᓪᓗᓂ ᑖᓐᓇ ᓴᓇᓯᒪᔪᖅ ᓴᐅᓂᕐᒥᒃ ᓴᓇᓯᒪᔪᖅ

2
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ᐅᑭᐅᒃᑯᒡᒎᖅ ᑖᓐᓇ ᐊᑐᖅᑕᐅᖃᑦᑕᖅᖢᓂ ᐅᐱᕐᖔᑰᙱᑦᑐᖅ.

3
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ᐅᐱᕐᖔᒃᑯᑦ ᑕᐃᒃᑯᐊ ᒪᐅᓇ ᑭᒡᓕᐊᒍᑦ ᐊᐱᓯᒪᖃᑦᑕᓕᕋᔭᕐᒪᑦ

4
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ᕿᐱᓐᓇᕋᔭᖅᖢᓂᓗ ᐅᑭᐅᓪᓚᑦᑖᒃᑯᑦ ᑖᒃᑯᐊ ᐊᑐᖅᑕᐅᖃᑦᑕᖅᑐᐃᑦ.

5
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ᓴᓇᓯᒪᔪᖅ ᑖᓐᓇ ᑭᓱᒥᒃ ᐊᐃ, ᓴᐅᓂᕐᒥᒃ ᓴᓇᓯᒪᔪᖅ ᓲᕐᓗ ᓇᒡᔪᖕᒥᒃ ᑖᓐᓇ

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ᓴᓇᓯᒪᔪᖅ ᓇᓗᓇᙱᑦᑐᖅ. ᑭᒡᓕᐊᒍᑦ ᑕᑯᒋᐊᕈᕕᐅᒃ ᒪᐅᓇ [ᔮᒃ ᑎᒃᑯᐊᖅᑐᖅᐳᖅ ᓴᐅᒥᖅᐸᓯᐊᒍᑦ ᐃᒡᒑᖕᓄᒃ]

7
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ᑕᒪᓐᓇ ᐊᕿᓐᓂᐅᓪᓗᓂ. ᑖᓐᓇ ᐊᑖᓃᑦᑐᖅ ᑎᓯᓂᖅᓴᐅᓪᓗᓂ

8
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ᑕᒡᕙ ᓇᒡᔫᒐᒥ ᑕᐃᒪᓐᓇ ᐋᖅᑭᒃᓯᒪᔪᖅ ᐅᑭᐅᒃᑯᑦ ᐊᑐᖅᑕᐅᖃᑦᑕᖅᖢᓂ

9
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ᐊᖑᑎᓄᓪᓗ, ᐱᓗᐊᖅᑐᒥᒃ ᐊᖑᑎᓂᑦ ᐊᖑᓇᓱᖃᑦᑕᕐᓂᐊᖅᑐᓂᑦ

10
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ᑖᓐᓇ [ᔮᒃ ᑎᒃᑯᐊᖅᑐᖅᐳᖅ ᕿᓚᕈᑎᖕᒐᓂᒃ] ᐊᑐᖅᑕᐅᖃᑦᑕᖅᖢᓂ. ᑖᓐᓇ ᕿᓯᖕᒥᒃ ᓴᓇᓯᒪᔪᖅ ᓇᑦᑎᐅᔪᒥᓇᖅᖢᓂ.

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ᑖᒃᑯᐊ ᑕᓯᔭᖅᑑᙱᒻᒪᑕ. ᑭᓯᐊᓂ ᓇᓕᖅᑯᓯᒪᑦᑎᐊᕐᓗᒍ.

12
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ᑖᓐᓇ ᐊᑲᐅᔪᐊᓗᒃ, ᐱᒃᑯᓇᖅᑐᐊᓗᒃ. ᓱᓕ ᒫᓐᓇ ᐊᑐᖅᑕᐅᓲᖅ

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ᐃᓪᓗᓕᔾᔭᐃᒃᑯᑎᒧᑦ ᓴᓇᔭᐅᖃᑦᑕᖅᓯᒪᔅᓲᔭᖅᑐᑦ ᑕᒪᒃᑯᐊ.

14
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ᓯᓚᒥ, ᐅᑭᐅᖅᑕᖅᑐᕐᒥᐅᑕᐅᓪᓗᓂ ᖃᐅᒪᔪᐊᓗᖕᒥᒃ ᑕᐅᑐᖅᑰᔨᓐᓇᕐᒪᑦ

15
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ᐃᓚᖓᒍᑦ, ᖃᐅᒪᔪᐃᓐᓈᓗᖕᒥᒃ ᑕᐅᑐᖅᑰᔨᓪᓗᓂ ᐃᓛᓐᓂᒃᑯᑦ

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ᖃᐅᒪᓗᐊᖅᑐᒦᖦᖢᓂ ᐃᓪᓗᓕᓐᓇᕐᒪᑦ, ᐅᑭᐅᒃᑯᑦ ᑖᒃᑯᐊ ᐃᓪᓗᓕᖅᖢᓂ

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ᐱᓗᐊᖅᑐᒥᒃ ᐅᐱᕐᖔᒃᑯᑦ ᐃᔨᒧᑦ ᐊ’ᐋᕌᓘᖕᒪᑦ ᑕᒡᕙ ᓴᓇᔭᐅᖃᑦᑕᖅᐳᑦ ᑕᐃᒪᓐᓇ

18
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ᑕᒡᕙ ᖃᐅᔨᒪᔭᓐᓂᒃ ᐅᖃᐅᑎᐅᔭᖅᐸᔅᓯ, ᐃᓚᖏᑦ ᐃᓄᐊ ᐃᓚᖏᑦ ᐃᓄᐃᑦ

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ᐅᓂᒃᑳᒐᖃᐅᕐᓂᖅᓴᐅᔪᒃᓴᐅᔫᒐᓗᐊᑦ, ᑖᓐᓇᓂ ᖃᐅᔨᒪᔭᓐᓂᒃ ᐅᖃᐅᑎᖦᖤᖅᐸᔅᓯ.

20
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ᐃᓄᒃᑎᑑᒃᑲᓐᓂᕋᓱᖕᓂᐊᕋᒪ. ᑖᓐᓇ ᐃᓪᓗᓕᔾᔭᐃᒃᑯᑎ ᐃᒻᒪᒃᑲᓐᓂᐊᕐᔪᒃ

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ᓴᓇᔭᐅᓚᐅᖅᓯᒪᖦᖤᕋᒥ. ᐅᓪᓗᒥᐅᓕᖅᑐᕐᓕ ᒫᓐᓇᐅᓕᖅᑐᖅ

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ᐸᐃᑉᐹᓂᒃ ᓴᓇᔪᓐᓇᖅᓯᕙᓪᓕᐊᖃᑦᑕᖅᑰᔨᓕᕐᒪᑕ ᑎᓯᕈᔪᖦᖤᑐᐊᕌᖓᒥᒃ

23
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ᒪᓐᓇ cardboard [ᖅᑲᓪᓗᓈᑎᑐᑦ] ᑕᒪᔾᔭᐅᔪᓐᓇᕐᒥᖕᒪᑕ. ᑕᒪᓐᓇ ᑭᒡᓕᖓ

24
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ᐋᒃᑲ, ᑭᒡᓕᖓᐅᙱᑦᑐᖅ, ᕿᑎᐊᒍᑦ ᑐᐊᖦᖤᑐᐊᕈᓂ ᑕᑯᒋᐊᕈᓐᓇᖦᖤᑐᐊᕈᕕᑦ

25
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ᒫᓐᓇ ᕿᑐᑦᑐᒐᐅᔭᕐᓂᒃ ᓴᓇᖃᑦᑕᐅᔭᖦᖤᓕᕐᒪᑕ ᐅᒡᕙᓘᓐᓃᑦ

26
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ᓂᐅᕕᕐᕕᖕᒥᑦ ᓂᐅᕕᖃᑦᑕᓕᖅᑐᐃᑦ goggles, glasses, spectacles

27
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eye sunglasses [ᖅᑲᓪᓗᓈᑎᑐᑦ] ᑕᒪᒃᑯᐊᕈᔪᐃᑦ ᐊᑎᒋᓕᕐᒪᒋᑦ  ᑭᓯᐊᓂ ᑕᒪᒃᑯᐊ

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ᓯᕗᓂᒃᓴᑦᑎᓐᓂ to the future [ᖅᑲᓪᓗᓈᑎᑐᑦ] ᓯᕗᓂᑦᑎᓐᓂ ᑖᒃᑯᐊ

29
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ᑕᑯᔭᒐᖃᐅᙱᒃᑯᑎᒃ ᒪᑯᓄᖓ ᐊᓯᖏᓐᓄᑦ ᐊᑐᖅᑕᐅᑐᐃᓐᓇᕆᐊᖃᕐᒥᔪᖅ

30
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ᑕᒪᒃᑯᐊ ᐃᓚᖏᑦ ᐊᓐᓂᕈᓱᖕᓂᐊᖅᑐᒃᓴᐅᓪᓗᑎᒃ. ᐃᓚᖏᓪᓗ

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ᑎᔅᓯᒍᓱᖕᓂᐊᖅᑐᒃᓴᐅᓪᓗᑎᒃ. ᐃᓚᖏᓪᓗ ᐊᑐᕈᒪᓂᐊᖅᑐᒃᓴᐅᓪᓗᑎᒃ.

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ᐃᓚᖏᓪᓘᓐᓃᑦ ᑮᓇᐅᔭᓕᐅᕈᑎᓕᐅᕋᓱᖕᓂᐊᖅ... ᑮᓇᐅᔭᕐᒧᑦ ᐊᑑᑎᖃᕐᓂᐊᕋᓱᒋᓐᓈᓪᓗᑎᒃ

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ᓴᓇᓂᐊᖅᑐᒃᓴᐅᕗᑦ. ᓲᕐᓗ ᐃᓱᒪᒋᑦᑎᐊᕐᓗᒍ fashion industry there is

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no name for that one yet in Inuktitut [ᖅᑲᓪᓗᓈᑎᑐᑦ]. So, the fashion industry [ᖅᑲᓪᓗᓈᑎᑐᑦ]

35
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ᑖᔅᓱᒥᖓ ᕿᒥᕐᕈᐊᓚᐅᕐᓗᓂ ᐱᐅᒃᓴᓕᑐᐃᓐᓇᕆᐊᖃᖅᑐᐊᓗᒃ ᐊᑐᕈᒪᓕᑐᐃᓐᓇᕆᐊᖃᕐᒥᔪᖅ.

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ᑖᓐᓇ ᓯᕗᓂᑦᑎᓐᓃᑐᐃᓐᓇᕆᐊᖃᖦᖤᕋᒥ. ᑭᓯᐊᓂ ᐃᓄᖕᓂᑦ ᐱᒋᐊᖅᑕᐅᓯᒪᓂᖓ

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ᓴᓇᔭᐅᓯᒪᓂᖓ ᑕᒡᕙᐅᖦᖤᕆᕗᖅ. ᐃᓄᖕᓂᑦ ᑖᓐᓇ ᓴᓇᔭᐅᓯᒪᖕᒥᔪᐊᓗᒃ

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ᓴᐅᓂᖅ. Past [ᖅᑲᓪᓗᓈᑎᑐᑦ], ᑭᖑᓂᕆᓚᐅᖅᑕᕗᑦ, ᐅᓪᓗᒥᐅᔪᖅ the present [ᖅᑲᓪᓗᓈᑎᑐᑦ], ᓯᕗᓂᒃᓴᕗᑦ

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the future [ᖅᑲᓪᓗᓈᑎᑐᑦ]. ᑕᒪᕐᒥᒃ ᐅᖃᐅᓯᕆᓇᓱᓗᐊᖅᑕᒃᑲ ᐃᓚᖃᐅᕐᓂᐊᖅᑐᒃᓴᐅᔫᒐᓗᐊᖅ

40
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ᒫᓐᓇᐅᔪᖅ ᑭᓯᐊᓂ ᑕᒡᕙ ᑕᒡᕙᒃᓴᑐᐊᖑᓚᐅᑲᒃᓯᒪᔪᑦ ᐅᖃᐅᓯᒃᓴᒃᑲ.